From June 12, 2025, there is a permanent online performance of the sounding scores on YouTube:
Category: performances
Munich (Bavaria)
The antiquarian book “The History of the Munich Opera” mentions performances in Munich, but without dates:
Among Winter’s works composed for Munich, in addition to the three first mentioned and those designated as major works, the following are also worth highlighting:
the operas “Psyche” (1790, text by C. Mühler), “Salomon’s Judgment” (1809), “Der Frauenbund” (1805, text by M. Babo), and, alongside “Unterbrochenes Opferfest,” the most well-known “Marie von Montalban” (1800, text based on the tragedy by J. N. Komareck by Karl Reger), and the one-act singspiel “Der Sänger und (der) Schneider” (1819/20). Most of the other operas, such as “Castor and Pollux” (1805), “Maometto” (1819), “Ogus,” “The Pyramids of Babylon,” and “J Fratelli Rivali,” were also performed on the Munich stage. In this respect, at least, Winter could not complain of neglect.
1815-06-23 Ständetheater Prague
1815-06-27 Ständetheater Prague
until 1807 66 performances
by the composition of Mederitsch (1st act) and Peter von Winter (2nd act) Schikaneder hat a great financial success with this opera which had 64 performances from 1797-10-25 until 1801. Nevertheless one critic was desolate for Mederitsch….
from Austrian music dictionary
Josefa Hofer sang @ world premiere 25. Oct. 1797 the Queen of Babylon and later 24 performances, in 1801 another 11 performances, see Mozarteums Mitteilungen S. 15/16
1797-10-23 World Premiere
„Die Pyramiden Babylons“, oder „Der zweite Theil der Zauberflöte“. Erster Act. Den zweiten Act componirte Winter. Die Oper wurde am 23. October 1797 zum ersten Male auf dem Schikaneder’schen Theater in Wien gegeben, und Mederitsch’s erster wie Winter’s zweiter Act zusammen erschienen im Clavierauszuge im Stiche zu Wien im Jahre 1798, im nämlichen Jahre noch bei André in Leipzig.